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Welcome to the Recording Forums archive of audio recording posts from the old Recording Website Message Board

Home recording and general music post from the archived Yabb Recording Website Message Board. Some of the info here may be outdated but many of the audio recording and home studio tips are still good. Note: The only tags I made and attempt to convert are italics, bold, center and underline. So if you see some gibberish surrounded by brackets, just ignore it.

Recording Website Archived Yabb board Post

Febuary 2001 Yabb Message Board Archive

Subject: mono drums
by ds | 05/04/01 at 17:11:00

I'm thinking of trying out a mono drum sound on an upcoming project. I'm going to try using a C414 as an overhead, and a 57 for snare and D112 for kick. Anyone else done similar with good results? Just curious.

Subject: Re: mono drums
by Gary | 05/04/01 at 17:21:22

Yes I have done this quit a bit and it works well. Depending on the type of music
If you dont need toms in your face on the music its a great and easy way to do drums and
still have some descent control on the kit.
Just make sure and use the pad and the roll off on the 414 :)

Subject: Re: mono drums
by BananaHead | 05/04/01 at 17:50:55

Mono is seriously underestimated when it comes to drums... IMO. Stereo is great, I love it and use it, but for some stuff it can get flakey. Good, simple, solid mono on the other hand can really POUND!

Hell I've done it with just a single OH and a kick... sometimes you don't even need the snare. Just aim the 414 over the drummer shoulder, directed slightly downward at that hole between the snare and three toms... ya know so the center of each drum is basically the same distance from the mics diaphragm. Gives a good solid picture of those four drums, plus beater attack, cymbals always come through enough.

I think it's good with bands/songs that already have plenty of stereo information... two guitars panned left/right, synths, lots of vocals, etc. There's only so much stereo info a person needs!

Song Structure

by Dan E. Monk

Songs at the most basic level are structured by verse. Most modern songs add a chorus. A bridge, although not as popular can also be added. In addition songs can also contain: an intro, a pre chorus (also called a build), a refrain and an extro (also called an outro or tag).

A brief explanation of the different song sections:

Verse :
Verses are structured lines that while differ in content follow the same musical pattern.

Chorus :
A chorus differs both musically and lyrically from the verse and is repeated at least once in the song.

Bridge :
A bridge differs both musically and lyrically from the verse and the chorus, usually only used once in the song.

Refrain :
A refrain is one or two lines at the end of each verse which while different lyrically from the verse remain consistent to themselves.

Intro :
The into is a different musical form that comes at the beginning of the song. It differs from the verses but can and often does share music and or lyrics with the chorus.

Pre Chorus (also called a build):
A pre chorus precedes the chorus. While keeping the same music form the pre chorus can lyrically change throughout the song. It is usually repeated as often as the chorus.

Extro (also called Outro or Tag):
Stylistically the same as the intro, except it occurs at the end of the song.

The different forms
The Traditional AAA form.
The AAA song form consists only of verses. Sounds simple but it is one of the harder forms to write. Both words and melody must be fresh and compelling, there is not chorus or bridge to break things up. The ABA form.

(A = verse, B = chorus)
The ABA form adds a chorus. More often you will see it as ABABA or AABABA. This fits in well with modern pop music. Adding a chorus allows the songwriter to move the song in a different direction musically. Lyrically, the chorus is the meat of the song, usually repeating the title while summing up what the song is about. The ABCA form.

(A = verse, B = chorus, C = bridge)
Also quite popular the ABCA form adds a bridge. The verse and chorus have the same function as the ABA form. The bridge can be used lyrically to clear up parts of the song that may otherwise be obscure, or to tie the song together, hence the name bridge. Musically a bridge is used to break up a pattern that may be getting a little too monotonous or predictable.

There are other forms of course. These are the most common. What form you use depends a lot on what musical genre you are writing your song in.