
\| Home \| Songwriting Archives \| Audio Recording Archives \|

Welcome to the Recording Forums archive of audio recording posts from the old Recording Website Message Board

Home recording and general music post from the archived Yabb Recording Website Message Board. Some of the info here may be outdated but many of the audio recording and home studio tips are still good. Note: The only tags I made and attempt to convert are italics, bold, center and underline. So if you see some gibberish surrounded by brackets, just ignore it.

Recording Website Archived Yabb board Post

Febuary 2001 Yabb Message Board Archive

Subject: Studio Cabling
by Frederic | 04/02/01 at 09:54:37

Greetings,

I am in the process of packing up my "home studio" which is currently spread throughout my small townhouse in CT, and moving to a much larger house, in NJ. Large enough studio space that I can build a 20x18' console room, rather than using a bedroom, a walk in closet, and a piece of my living room as it is now.

I will be running snakes between the 19" wide racks to interconnect the console table and the racks of midi gear and recorders. Fiber cabling will not be a problem, I have experience installing fiber and have the TOSLINK fitment kit to melt the ends onto the fiber strands.

What I am unclear on is what type of audio cable I should be using. I will have one vocal booth in this new location, and can run two individual balanced low-impedance cables to the booth from the console table patch bay, so that is taken care of. The majority of the remaining cabling will be both balanced and unbalanced high impedance(?) cabling for synthesizers and outboard effect processers.

Has anyone here installed such permanent cabling? Did you solder on their own plugs, use punchdown blocks before the patch bays, and which gauge/cable would be recommended. The audio cabling between the racks and the console table need to support 96 balanced inputs and about 24 non-balanced effect sends and about twice that for stereo returns.

Thanks in advance for any advice.

Song Structure

by Dan E. Monk

Songs at the most basic level are structured by verse. Most modern songs add a chorus. A bridge, although not as popular can also be added. In addition songs can also contain: an intro, a pre chorus (also called a build), a refrain and an extro (also called an outro or tag).

A brief explanation of the different song sections:

Verse :
Verses are structured lines that while differ in content follow the same musical pattern.

Chorus :
A chorus differs both musically and lyrically from the verse and is repeated at least once in the song.

Bridge :
A bridge differs both musically and lyrically from the verse and the chorus, usually only used once in the song.

Refrain :
A refrain is one or two lines at the end of each verse which while different lyrically from the verse remain consistent to themselves.

Intro :
The into is a different musical form that comes at the beginning of the song. It differs from the verses but can and often does share music and or lyrics with the chorus.

Pre Chorus (also called a build):
A pre chorus precedes the chorus. While keeping the same music form the pre chorus can lyrically change throughout the song. It is usually repeated as often as the chorus.

Extro (also called Outro or Tag):
Stylistically the same as the intro, except it occurs at the end of the song.

The different forms
The Traditional AAA form.
The AAA song form consists only of verses. Sounds simple but it is one of the harder forms to write. Both words and melody must be fresh and compelling, there is not chorus or bridge to break things up. The ABA form.

(A = verse, B = chorus)
The ABA form adds a chorus. More often you will see it as ABABA or AABABA. This fits in well with modern pop music. Adding a chorus allows the songwriter to move the song in a different direction musically. Lyrically, the chorus is the meat of the song, usually repeating the title while summing up what the song is about. The ABCA form.

(A = verse, B = chorus, C = bridge)
Also quite popular the ABCA form adds a bridge. The verse and chorus have the same function as the ABA form. The bridge can be used lyrically to clear up parts of the song that may otherwise be obscure, or to tie the song together, hence the name bridge. Musically a bridge is used to break up a pattern that may be getting a little too monotonous or predictable.

There are other forms of course. These are the most common. What form you use depends a lot on what musical genre you are writing your song in.